A month ago I mentioned a musical reset, and the importance of goal setting. My big musical goal for the next year is to try and write, record and produce two new EPs of original songs. This is the start of the journey, and here I want to set out my vision of the form these two works will take. At this point, they are quite unsullied by the inevitable compromises, upsets and detours that lie ahead. By blogging their development from an intangible dream to a finished piece of art I hope to motivate myself to push on with their creation, shed some light on the creative process, and record their evolution.
What follows is a brief outline of my vision for each EP. They share some qualities:
- Both already have working titles. Giving a title to something that doesn’t yet exist is a powerful act. It tries to will it into being.
- Both will have overarching themes, in one case lyrical, the other musical.
- I envisage both EPs as being about six tracks in length. Today’s mode of music delivery makes the labels of EP/LP irrelevant in technical terms, but I find them useful in packaging a musical idea. Six songs to me feels like a good goal – enough content to properly explore a theme, while not being as intimidating as saying to oneself “I’m going to record an album”.
Manmade Canyons EP
This recording will be, for want of a better term, the more professional sounding of the pair. I intend to record it in a studio, with a small cadre of professional musicians, and basically try and create the best work possible on a limited budget. The central theme of the album will be exploring how beings of wild places, be they human or animal, survive in the unnatural confines of the city … and particularly a city as overwhelming as Cairo. Musically I hope to touch upon some features of Egyptian music. Some characteristics might be:
- I already have a lot of songs written or half-written for this, such as;
- When The City Is Home
- Bold Little Weasel
- A Tree of Heathens
- Pass Without Trace
- Possibly Five Legged Holy Cow
- Make a trio of my guitar/guitalele, plus bass and Arabic percussion the core of the album. If things are going well, perhaps add some other Egyptian instruments, such as oud.
- Try and find some good gear, or a good studio, to record in, without breaking the bank.
Confide in Me EP
This is the lo-fi record. For far too long I’ve been resolving I would start learning the craft of getting my songs down on tape. With this project I want to finally start taking steps in that direction. With that in mind it will necessarily be a simpler, shoddier affair, as I learn on the job. What I’m hoping though is for a finished product good enough to have some wonky charm. Its characteristics might be;
- Recorded at home using simple equipment – free recording software (probably either Audacity or Garageband), a Zoom H5, though I might get one higher end mic for recording vocals later in the process. I’ll probably still seek a wiser hand for tweak and mix what I’ve got after the fact.
- Writing the songs as part of the recording process (on the whole). By doing this simultaneously, I hope something different will emerge than would if I followed my usual method of completing a song before committing it to tape. For example, I intend to create some rhythm tracks first, and see how these influence the lyrics and guitar parts layered on top of them.
- Kitchen-sink percussion – I abhor the drum machine, but I’m no drummer myself. I’m going to try and create my own densely-woven rhythm parts by crudely playing all kind of mundane objects and layering the results.
- One of the questions I haven’t answered yet concerns the arrangement of the songs. Do I want to the write fingerstyle compositions, which would also exist happily as stand alone pieces? This is more challenging, and will probably take more time to compose and master. Or do I instead consider this a two-guitar record? The benefit of this is a lot more freedom regarding what’s happening on the strings, and a chance to dive into lead playing, which hasn’t really been part of my guitar journey in the past.
- The musical inspiration will be the early guitar music of the Congo, the acoustic precursors of modern soukous, the music played by artists such as Bosco Mwenda and Losta Abelo.
On this blog I’ll be jumping between the two projects, aiming for at least a post on each every month, documenting each important chapter in this tale of two EPs.