A Tale of Two EPs

Cairo_Kinshasa_Music
Cairo and Kinshasa – their skylines overlain, two great cities with mighty rivers surging through, and surging with the music which will inspire my work. 

A month ago I mentioned a musical reset, and the importance of goal setting. My big musical goal for the next year is to try and write, record and produce two new EPs of original songs. This is the start of the journey, and here I want to set out my vision of the form these two works will take. At this point, they are quite unsullied by the inevitable compromises, upsets and detours that lie ahead. By blogging their development from an intangible dream to a finished piece of art I hope to motivate myself to push on with their creation, shed some light on the creative process, and record their evolution.

What follows is a brief outline of my vision for each EP. They share some qualities:

  • Both already have working titles. Giving a title to something that doesn’t yet exist is a powerful act. It tries to will it into being.
  • Both will have overarching themes, in one case lyrical, the other musical.
  • I envisage both EPs as being about six tracks in length. Today’s mode of music delivery makes the labels of EP/LP irrelevant in technical terms, but I find them useful in packaging a musical idea. Six songs to me feels like a good goal – enough content to properly explore a theme, while not being as intimidating as saying to oneself “I’m going to record an album”.

Manmade Canyons EP

This recording will be, for want of a better term, the more professional sounding of the pair. I intend to record it in a studio, with a small cadre of professional musicians, and basically try and create the best work possible on a limited budget. The central theme of the album will be exploring how beings of wild places, be they human or animal, survive in the unnatural confines of the city … and particularly a city as overwhelming as Cairo. Musically I hope to touch upon some features of Egyptian music. Some characteristics might be:

  • I already have a lot of songs written or half-written for this, such as;
    • When The City Is Home
    • Bold Little Weasel
    • A Tree of Heathens
    • Pass Without Trace
    • Possibly Five Legged Holy Cow
  • Make a trio of my guitar/guitalele, plus bass and Arabic percussion the core of the album. If things are going well, perhaps add some other Egyptian instruments, such as oud.
  • Try and find some good gear, or a good studio, to record in, without breaking the bank.

Confide in Me EP

This is the lo-fi record. For far too long I’ve been resolving I would start learning the craft of getting my songs down on tape. With this project I want to finally start taking steps in that direction. With that in mind it will necessarily be a simpler, shoddier affair, as I learn on the job. What I’m hoping though is for a finished product good enough to have some wonky charm. Its characteristics might be;

  • Recorded at home using simple equipment – free recording software (probably either Audacity or Garageband), a Zoom H5, though I might get one higher end mic for recording vocals later in the process. I’ll probably still seek a wiser hand for tweak and mix what I’ve got after the fact.
  • Writing the songs as part of the recording process (on the whole). By doing this simultaneously, I hope something different will emerge than would if I followed my usual method of completing a song before committing it to tape. For example, I intend to create some rhythm tracks first, and see how these influence the lyrics and guitar parts layered on top of them.
  • Kitchen-sink percussion – I abhor the drum machine, but I’m no drummer myself. I’m going to try and create my own densely-woven rhythm parts by crudely playing all kind of mundane objects and layering the results.
  • One of the questions I haven’t answered yet concerns the arrangement of the songs. Do I want to the write fingerstyle compositions, which would also exist happily as stand alone pieces? This is more challenging, and will probably take more time to compose and master. Or do I instead consider this a two-guitar record? The benefit of this is a lot more freedom regarding what’s happening on the strings, and a chance to dive into lead playing, which hasn’t really been part of my guitar journey in the past.
  • The musical inspiration will be the early guitar music of the Congo, the acoustic precursors of modern soukous, the music played by artists such as Bosco Mwenda and Losta Abelo.

On this blog I’ll be jumping between the two projects, aiming for at least a post on each every month, documenting each important chapter in this tale of two EPs.

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A Tale of Two EPs

Bold Little Weasel

 

Bold Little Weasel is the second song finished from my 1 month, 4 songs project started at the end of last year. As is evident, although the bulk of the writing took place during that month, it has taken a long time to polish the songs sufficiently to reach a point when they could be properly presented. In the case of Bold Little Weasel, the main challenge was mastering the ambitious fingerpicking parts I’d written for myself. It took a lot of practice to reach a point where I could play the introductory passage and the mid-song ‘solo’ at the speed the song required.

A song from the streets

This recording was made in the streets of Fatimid Cairo, the medieval quarter of the city. As will be revealed, it’s very much an urban song, and I wanted the setting of the session to reflect this. Almost all the time, this part of Cairo is seething with people, which would have made making a recording quite a challenge. On an early Friday morning during Ramadan we succeeded in finding a peaceful corner, though during filming we had to negotiate round plenty of passers-by (it’s incredible how much noise a sandal slapping on stone can make), loud street-cleaners, spluttering Vespas and even a hip-hop crew doing a little filming for their own tune.

There are some truly impressive examples of medieval architecture in this area, but we were looking for a back-alley to film in, the kind of place a weasel might scurry down (and in fact, one did scurry down this very street, though sadly too fast to get on film). We also needed a place where would be left in peace to work – it wasn’t too surprising when as we finishing a policeman appeared to make sure we weren’t up to anything fishy and inform us that filming with a tripod required a special permit. Luckily by then we had what we needed in the can.

The Egyptian weasel

The hero of our song is the Egyptian weasel. Like the fox in the UK, the Egyptian weasel is one of those rare wild mammals that has successfully adapted to thrive in an urban environment. Growing up in rural England, my experience of seeing weasels was limited. Though not uncommon, they are shy, small and sneaky. Even if you were lucky, you might only get a few fleeting views every year. So imagine my surprise to discover that in Cairo weasels are confident and (as the song says) bold members of the city ecosystem; an animal easily found and often sighted in broad daylight. Indeed, many locals mistake them for rats*.

egyptian-weasel-aswan
Photo Credit: Dick Hoek 2014 – Aswan, Egypt

But to me, they remain wild creatures, and exotic reminders that I live in a strange land. One morning on my walk to work an Egyptian weasel dashed out of the shadows, froze on noticing my presence, eyeballed me, then obviously deciding I was no threat to him, bounded on to snatch a piece of dropped chicken from outside the shawerma shop, then leapt into the wheel arch of a parked car to devour his prize. I shook my head at these antics, smiled, and thought ‘bold little weasel’ . . . then realised instantly there was a song title there.

Doing it ever more DIY . . .

There are a few changes to the way I’ve produced this video. The first is to sound. This was the first video recording in which I used my Zoom H5 Recorder, which has been waiting for a proper outing for several months. I’m quite ignorant in the science of making audio come across well, so results were mixed. The Zoom picked up more sound than the in-built mics on our cameras, but a lot of this was incidental stuff – footsteps, wind, sparrows twittering. I wasn’t sure if the guitalele and voice sounded significantly better on the Zoom than they did on camera. There is clearly more I need to learn about setting up the Zoom to capture a performance effectively.

Most of my videos have been made by my long-suffering wife, but in this case I recruited two friends, Neda and William, to do the filming for me, using three different cameras. In the past, I’ve just done a few takes and made a video around the single best one, but in the case of Bold Little Weasel the finished article is a mix of two main audio takes and multiple video takes. I stitched the audio together crudely on Audacity (some of the joins are audible). The corresponding video takes were then also joined up on Imovie, and I browsed through all the other footage Neda and William had taken, feeding in clips from other takes which appeared to fit more or less with the underlying recording. The finished article has its clumsy moments, but it’s the first time I’ve done this all on my own, without relying on my wife’s more accomplished editing hand to put things together.

One of the most pleasing things was realising how in time all the different takes were with each other. I’ve learnt from studio time the imperative of following the metronome, and I was happy to discover that even when chopping up my various attempts, the variation in tempo was only very slight.

Blog posts related to the writing of Bold Little Weasel during the 1 month, 4 songs project can be found here:

Day 11: Have I Got Anything?

Day 19: Technology Weasel!

Day 23: Nile Projects

Day 29: Filling In The Gaps

These are the full lyrics

Bold Little Weasel

Verse 1

Bold little weasel, agile and sleek,

Flourishing in these hard times

Gleam growing in his eye, no longer meek

As our fickle fortunes decline

If you imitate his way, you’d leap and tumble, skip and veer

Shadowing his steps to be bold, and brave, and without fear

This bold little weasel

Verse 2

The cripple on the corner has staked his spot

Doubled on his third hand crutch

Of your wicked ways and sneaky whiles

He’s seen and heard so much

Just a pair of pirates, nothing more than a couple of crooks

Though of course this creature is more acrobatic in thought and foot

This bold little weasel

Bridge Part 1

The alley cats have seven lives or nine

While yours hangs on, a slender line

And nothing happens by accident, in your fragile world

Yet I feel the connection between us

As our fates unfurl

Bridge Part 2

Good fortune runs at my side, a familiar all day long

The thought of you, that fleeting view, the architect of luck

And it’s an exercise of fantasy, to imagine that scoundrel dancing for me

Backflips and somersaults and Egyptian dervish spins

Verse 3

At the furthest arc of our activities

We stop just to regard

This bouncing ball of duplicity

As he slips beneath our guard

Swashbuckling his way in and out of the halls of men

Watch the shadows closely, then come and tell me when

You see this bold little weasel

This bold little weasel

Bold little weasel

 

*It’s actually very rare to see a rat on the streets of Cairo – probably due to the hard work of the weasels and huge population of feral cats.

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